Monday, January 10, 2022

Thinking Activity: Absalom and Achitophel

THINKING ACTIVITY: ABSALOM AND ACHITOPHEL





Absalom and Achitophel is a satirical poem by John Dryden, written in heroic couplets and first published in 1681. Although, on the title page, Dryden himself describes it simply as "a poem" rather than satire. The poem tells the Biblical tale of the rebellion of Absalom against King David; in this context, it is an allegory used to represent a story contemporary to Dryden, concerning King Charles II and the Exclusion Crisis (1679–1681). The poem also references the Popish Plot (1678) and the Monmouth Rebellion (1685). 

Absalom and Achitophel is "generally acknowledged as the finest political satire in the English language". 

What is Satire:

The use humour, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues.


Background and Character Representation:

The story of Absalom's rebellion against his father, King David, is told in the Old Testament of the Bible, in the Second Book of Samuel (chapters 14 to 18).

Dryden’s characters in Poem 

Historical Characters 

David   

King Charles-II 

Absalom 

James Scott, Duke of Monmouth 

Achitophel 

Antony Ashley Cooper 

Saul 

Oliver Cromwell 

David’s Brother 

James-II 

Corah 

Titus Oates 

Shimei 

Slingsby Bethel 

Zimri 

George Villiers 

The Pharaoh 

Louis -XIV of France 

Ishbosheth 

Richard Cromwell 

Jonas 

William Jones 

Zadoc 

William Sancroft 

Barzillai 

James Butler 

Barzillai’s Eldest Son 

Thomas Butler 

Jotham 

George Savile 

Amiel 

Edward Seymour 



List of characters who favoured and were against King David (Charles II).

Against King David 

In Favour of King David 

Absalom 

Absalom 

Achitophel 

Barzillai 

Corah 

Jotham 

Shimei 

Ameil 

Zimri 

Zadoc 

The pharaoh 

The Pharaoh 

Jonas 

Hushai 

Nadab 

Adriel 

Caleb 

Sagan of Jerusalem 

Balaam 

 
 



Dryden’s direct address “To the Reader” preceding the lengthy poem proves of interest. While he hoped to treat each political faction fairly, he acknowledged that “he who draws his pen for one party must expect to make enemies of the other. For Wit and Fool are consequents of Whig and Tory, and every man is a knave or an Ass to the contrary side.” He also stated he would take comfort in the “manifest prejudice to my cause” that the opposition would surely publicize, as that prejudice would “render their judgment of less authority against me.” Continuing, Dryden offers the opinion that “if a poem have a genius, it will force its own reception in the world.” His supporting logic for that idea was “for there’s a sweetness in good verse which tickles even while it hurts, and no man can be heartily angry with him who pleases him against his will.” His tone turns sharply sober later when he informs his readers, “I have but laugh’d at some men’s follies, when I could have declaim’d against their vices, and other men’s virtues I have commended as freely as I have tax’d their crimes.” 

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